Since 2018, exhibiting at the Biennale “De Mains De Maîtres” in Luxembourg, MarieIsabelle Callier makes painted room dividers with a special technique – she paints in watercolor on waxed Japanese paper. With her double-sided screens, she aims to create a dialogue from both sides of the screen. “The murmurs of the material continue on the other side. Depending on the light, the transparency allows us to see a certain blur, a presence of light and delicate shadows. There is an invitation to go see and experience the material on the other side.” Since 2023, she creates also altar-screens like “Small Theatre”, in which the succession of different paper cut layers refers to the old fashioned opera and theatre decor model. And for the latest edition in 2025, she created an inspired by art Deco screen, celebrating the Luxembourg roses at the time of the Belle Epoque.